All pieces · 18th Century In stock in Miami305-975-0601
France ◆ Art Deco, Early 20th Century

Modernist Dry Bar Cabinet attrib to Jules Leleu, French Art Deco Dry Bar Cabinet

$10,875.00 One of a kind · Ships from Miami
PeriodArt Deco, Early 20th Century
OriginFrance
AttributionIn the manner of Jules LeleuRead about the maker
MaterialsBrass, Glass, Mahogany, Sycamore
Dimensions H 50.5 in x W 40 in x D 14.5 in
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The piece
French Art Deco Dry Bar Cabinet, Attributed to Jules Leleu.

This elegant and captivating French Art Deco display cabinet, attributed to the renowned designer Jules Leleu, embodies the era's elegance and functionality. Crafted from luxurious mahogany and sycamore woods with a rich, polished finish, the cabinet features remarkable marquetry details in diamond shaped designs.

Sleek glass sliding doors open to reveal a mirrored back and a glass shelf, offering a sophisticated space to showcase treasured possessions.

Polished brass hardware and an original key add the finishing touches of Art Deco grandeur.

Measures:

Depth 14.50 in. x Width 40 in. x Height 50.50 in. Unmarked. Hardware for the legs will be reattached when shipped as seen in the 8th and 9th photographs. Complimentary to this piece, we also offer a large buffet in the same style and design.

About the Attributed Designer:

Jules Leleu (1883-1961) was a prominent French designer and "ensemblier" who played a pivotal role in shaping the Art Deco movement. Known for his meticulous attention to detail and use of luxurious materials, Leleu's furniture often featured clean lines and exquisite embellishments, like the marquetry seen on this piece. While he did not win the fame of such contemporaries as Émile-Jacques Ruhlmann and Jean-Michel Frank, Leleu had a longer career and was easily their peer in the conception of trim, refined furniture forms and in the use of the opulent materials, from lacquer and ivory to sharkskin and exotic woods, that were a keynote of haute Art Deco design.

Leleu was born into a family of artisans and decorators. Their firm, Maison Leleu, had existed since the 18th century and Jules would guide it through much of the 20th. (The business lasted until 1973, headed at the end by Jules's children.) He studied architecture, served as an aviator in World War I, and after the conflict took up design full-time. Leleu presented work at the 1925 exposition in Paris that gave us the term Art Deco, and the Metropolitan Museum of Art in New York purchased a burl amboyna wood commode by Leleu directly from the show.

As the furniture presented here shows, Leleu was a stickler for precision and detailed craftsmanship. He preferred to let his materials do the talking, his furniture is generally spare and sleek; its presence is established by figuring (or patterning/graining) in the wood and the occasional marquetry medallion. He had a keen eye for currents in design, and an adaptable sensibility. Maison Leleu would embrace many of the starker forms of modernism after the 1940s, as well as new materials such as artificial lacquer and plastics (then considered cutting-edge rather than cheap). Jules Leleu is a guiding light of 20th-century modernism: a man whose work represents both a devotion to traditional handiwork and an appreciation for the next wave in design.

In the manner of

Jules Leleu
1883–1961, Boulogne-sur-Mer and Paris

House
Maison Leleu, Paris, from 1924
Recognition
Grand prize, Paris 1925
Commissions
SS Île de France · SS Normandie · French embassies
Manner
Classical line, exotic veneers, marquetry

This piece is offered in the manner of Jules Leleu. What follows is about the maker whose work it follows, not a statement that it left their hand.

Jules Leleu was born in Boulogne-sur-Mer in 1883 and took over his father’s decorating business before turning to furniture. He opened Maison Leleu in Paris in 1924 and won a grand prize at the Exposition Internationale des Arts Décoratifs of 1925.

His work is the restrained side of Art Deco: simplified shapes, fine veneers, marquetry and inlay rather than ornament. He furnished the liners Île de France and Normandie, several French embassies, and the Grand Salon of the Ambassadors at the League of Nations in Geneva. His sons carried the house on after his death in 1961.

Biographical detail from Wikipedia.

Shipping & returns

Quoted per order, never estimated

Domestic freight

Every piece ships from our warehouse in Miami. Furniture travels white-glove with BMC International Freight, room of choice, subject to the carrier’s access at your address. Freight transit is typically 7–14 business days; we contact you to arrange a delivery window. Smaller pieces travel insured by ground courier.

International

We ship worldwide, quoted case by case. Tell us the piece and the destination and we will price crating, freight, insurance and customs handling for you.

Packing

Packed by hand. Fragile items are double-boxed with custom foam inserts. Glass and detachable elements are removed, packed separately and reassembled on arrival.

If something arrives damaged

Photograph the packaging and the piece before unpacking further, and contact us within 48 hours. We handle all freight claims directly and will arrange a resolution.

Returns

One day from delivery for a change of mind — buyer pays shipping and a 15% restocking fee. If the fault is ours, none of that applies: 7 days, full refund including your original shipping, we pay the return freight, no restocking fee. See our refund policy.

Notes on this piece

  • On the attribution. Words such as “style of”, “manner of”, “attributed to”, “after” or “circle of”, and period-style labels such as “Louis XV style”, describe our informed opinion based on form, construction and materials. They are not a certification of authorship, and not a guarantee of investment value. Where authorship is documented, we say so plainly and name the evidence.

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